Marble floors, surfaces where things bounce off of (cars, pillars, people), plus crowd noise. If you have been to the museum, or look at the pictures….it is a recording person’s nightmare. It was held at the Blackhawk Auto Museum. The first concert was in August of 2007, part of a Jazz thing the area puts on (though I don’t think they did it this year….darn economy). Each person individually mic’d, etc, etc.
So, we hired someone to do a live recording of the band. At the time we had live recordings that I was making using my Rode NT 4, but a lot of them suffered from crowd noise, wind noise, etc. The original idea was that we wanted more gigs, and that a lot of people wanted to hear the band before booking it, so we needed a “Demo CD”. This is the multipart story of how I mixed 8 of the 17 songs on the CD. Well, in the 2 some years since we made the two recordings, the project has become a full-blown album that is currently playing on Jazz Radio stations and available on the iTunes store. This could lower the costs by hundreds of dollars.īack in August of 2007 and January of 2008, a Big Band that I play in recorded two live performances for a “Demo CD”. If you are internet savvy, you could probably score most all of the gear off Ebay or Craigslist or you could get the scratch and dent deals or open boxed ones. So, it is slightly cheaper to get the gear. However, the microphones are really THE thing to spend money on.
However, at $299 not including stand and cable, replacing the Shure 57s with these would about $3887 and that is NOT including cables and stands. If money was NO OPTION, I would probably replace the 13 mics used for the horns with Sennheiser 421s. And there are alternatives that are more expensive. I went the Shure 57 route due to cost and their reliability, but there are alternatives out there that are cheaper. The single biggest cost are the microphones. And you need a vocalist mic, a Shure 58, which is $99, was $109.įinal total….$6876. And two SKB mic cases, which haven’t changed in price either. We still need to add in drum set mics which haven’t changed in price ($400), and two Rode NT4s, one for the drum overhead and one for acoustic piano. The only real price difference was the DigiMax D8s and the Shure Mics. And we will keep the same snakes, which are still the same price. Lets keep it simple and stick with that option.Ĭase for the PreSonus preamps and the Alesis. Option one was 13 Shure 57s with stands and cables. We need three of these to give us 24 tracks. For preamps, I went with the PreSonus’s DigiMax D8 which were going for $450. The original post I went with an Alesis HD24 which was $1600 then. Now, lets take a look at if things have changed. Simple fix to a simple problem.īack in October 2008 I did a post that estimated the cost of getting all the gear to have a recording rig for your big band. The double time has been moved a bar later than it was. UPDATEUgh, so I fixed that, but then the double time moved. A minor issue, but I deleted the old one and made a new version that should completely match up with the Buddy Rich album version (the only thing that was off was the beginning thing)
The beginning at A should have been 12 bars and the double bar was in the wrong place. UPDATEThere was a slight error in the piece.
COWBOY BEBOP TANK SHEET MUSIC BASS DOWNLOAD
You do not have permission to download this file. West Side Story Medley (2.0 MiB, 224 hits) One of my favorite Buddy Rich big band songs. I like the one on the Best of album the most, so I tried to pretty much fix up the version I found to match that. Buddy Rich never really played any of his songs the same every time, and some versions of this are faster or have some variations. This is based on the version that is on the “Best Of Buddy Rich” album. But that arrangement had problems, and I fixed it. I won’t take ALL the credit for this, as there is a version floating around the internet that this is based on. Here is an arrangement/transcription I did a while back.
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